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Much of the sound design relies on automatic LFO movements that change the sound parameters without programming. The sounds here run themselves over time and remain dynamic enough to create an interesting soundscape. I had also set a rule of composition: no drums. After a long period of throbbing sludge I recorded a distant improv synth solo, echoed into some vast cold cathedral. After about 17 minutes of pure brooding darkness the mass fades away.

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from 2 Smargaid Maerd, released August 1, 2004

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mr_mark_dollin Australia

Archive of music 1998-2012.

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